- 正在播放《芳心封鎖》DVD中字 - 迅雷云播
- 提醒不要轻易相信视频中的任何广告，谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢，可尝试切换播放节点或者切换解析
- 收藏电影天堂 - 电影天堂网网址：dyttst.com / dyttst.com ,记得收藏哟～
剧情：
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation 电影天堂全球领先的高清电影在线观看下载平台，以富饶的内容、极致的下载体验、满意您在线观看和电影下载需求。 每日更新蓝光高清电影下载资源。
收起
